Georg Redžek is the painter who remains true to his divine gift, and that is the colour. He is a rapsod and an apostle of colorful sounds and increased artistic sensibility. No matter how he changes, and he has changed in the thematic and symbolic sense, the colour stays his magic. One Delacroix would have been thrilled seeing these colour chords. Redžek genuinely feels compositional structures, coloristic dominant.
Critics
Plastic world of Redžek's picture, which essentially neutralizes the difference between painting and drawing (because painting is also drawn and drawing is also painted), represents the system of convincing and exciting "marked play". It is always in the sphere of his pictorial, considering the colour as the substance better than the illusion. It is never just a visual illusion of the real, but an allusion to the "uncertainty of the possible," to the supposed reality in which we can doubt or not accept it, but we cannot remain indifferent.
Georg Redzek belongs to the generation of artists who were educated and brought up during the eighties , the age of general orientation of exploring ( art history, religion and literature), a very ambitious project – experiment of reconciliation of art and life, strenghten neoexspressionism and emphasized subjectivity. Part of the atmosphere full of numerous topics, ways and disciplines where everything is allowed and possible, is transmitted both to the following decade, which will, in relation to the previous one, revise the ways of thinking, understanding and experience both in the world of reality and the world of art. Forming the slow , but at the same time profound change in the artistic perception and behaviour, is something that significantly determined Redzek's later work.
